Dialectical Quartet: Couple Dialect - Time dia Space (THESIS) DIA Couple Dialect - Time in Space dia Space in Time (ANTITHESIS)
DIA
THE CREATIVE EXPANSES OF A FOUR - TRIANGULAR STAR
Attentively observing the Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces, it is clearly visible that the dialect-TIME was also imprinted, recorded and compressed in the form of segments of the "Dialectical Creative Framework" into a (societal, collective, individual) PYRAMID OF LIFE, seen from the viewpoint of SPACE DIA understood in terms of my - thy - our physical presence (of a body) dia the suitable (inner) emotively emotional presence of this dialectical content under creative consideration in the spatial medium - mind dia reason. In this pyramid of life, each of these segments is a witness of my - thy - our being, existing and living DIA creative acting, or inactivity, if you so will. In other words, in the MEMORY of the dialect - emotively emotional DIA physical presence (the memorance of time) were each time (also criss-cross) copied the events of the dialect - past, as well as each of us has left (behind) traces of the physical DIA emotively emotional presence (being, existing, acting and living), in a more or less extent. Or said it in a different way, the dialect - presence was also "copied out" into the dialect - past DIA the dialect - future.
In short, without a deeper consideration of this dialectical interactive content, pay attention to the quartet of crisscross (diagonal) couples (pairs) of dialects:
- Dialect - time dia dialect - space in time
DIA - dialect - space dia dialect - time in space,
- respectively dialect - time dia dialect - time in space
DIA - dialect - space dia space in time.
On the other hand, in the DIALECTICAL SENSE of conceiving and understanding of this dialectical content, each of these couples of dialects - (pyramid of) time DIA space, which is contained in each of these segments of "Dialectical Creative Framework", will be creatively interactive set in progress (in movement), forming a myriad of different (eight-pointed, twelve-pointed) stars, understood in terms of action of "Three Basic Dialectical Principles, Aspects, Properties and Manifestations in the Time DIA Space". For further information, related to these dialectical contents, READ: Dialectic Interactive Approach: The Methodological Creative Framework.
Dialectical Quartet: Couple Dialect - Time dia Space (THESIS) DIA Couple Dialect - Time in Space dia Space in Time (ANTITHESIS)
The Cheops Pyramid in Egypt
Dialectical Creative Framework for Orientation in the Eternity of Times DIA Infinity of Spaces
Simultaneously, on the other side of this pyramid, the dialect - SPACE also was presented by that same implanted segments of these "Dialectical Creative Frameworks" in this (societal, collective, individual) PYRAMID OF LIFE, seen from the viewpoint of TIME DIA understood in terms of my - thy - our mind dia reason, where each these segments is a witness of my - thy - our mindual DIA reasonable acting, or inaction, if you so will. I hope, it is not difficult to conjure up the dialectical process of mutual copying and leaving behind the imprints of the (creative acting) dialect - reason in the dialect - matter DIA dialect - mind, and vice versa (creative acting, respectively evil acting), that means, into the memorance of space. Although, someone could argue that a dialectical creatively interactive content can only be saved and preserved within the dialect - mind DIA reason (space), and not be saved in the memorance (memory) of time [physical DIA emotively emotional presence], keep in mind, consideration of any dialect of space without the proper dialect of time, has no sense within the presented dialectical interactive approach. In short, dead body of a person, collective, society, or of a civilisation stops to memorise in time DIA space, and whether it was because of the (black-white, 0-1) dead dialect - (individual, collective, societal, civilisation’s) physical DIA dead emotively emotional presence, OR because of the dead dialect - (individual, collective, societal, civilisation’s) mind DIA reason(of it), it was left to the proponents of this way of thinking to discuss this dialectical content, and finally to determine and solve this question in absolute terms, that means, in terms of the (recti)linear bipolar (OR-OR) DIA binary way of thinking.
By the way said, seen from a dialectical perspective, these deeply imprinted (left behind) traces of someone's physical DIA emotively emotional presence in the memorance of TIME DIA SPACE, understood in the sense of creative acting of the dialect-mind dia reason, as it was pointed out by Plato (read attentively and thoughtfully, Meno), can be revived by means of RETROSPECTIVE RECOLLECTION of that dialectical interactively creative content, understood in terms of dialect - time in space [dialect-future (creative acting) within the dialect - spirit] DIA dialect - space in time (here and now). In other words, here the word goes about the revival of a preserved dialectical content (dialect - future in spirit) in terms of dialect-matter, that was upon a time DIA will be built (again) into dialect - past: Retrospectively recollected DIA revived by means of thy emotively emotional DIA physical presence. Recall, within the worlds of dialectics, nothing disappears in absolute terms, but rather it transcends, transforms and metamorphoses from a state of the dialect - space in time into another state DIA the dialect - time in space, understood in terms of acting "Three Basic Dialectical Principles, Aspects, Properties and Manifestations in the Time DIA Space". From this reason, there is a possibility in time DIA space to be returned again DIA the dialect - time in space, in one of its previous state of the dialect - space in time.
